I grew up in a family that moved around constantly, thanks to a healthy dose of wanderlust.

But most of my life was spent in the San Juan Islands in the Salish Sea. It felt like home, so we kept coming back to our little island in the north.

It was here that I learned what it meant to be tethered to a place; it was here that I started seriously writing about nature, the terrains that raised us, and place-based stories.

A lot of my childhood was spent in a little cottage by the sea on our little island. It was filled with dried lavender bunches, yellow walls, and jars of sea glass.

We grew our own garden, picked basketfuls of wild blackberries, and were constantly playing in the icy waters and lush forests along the shore. When I think of the word “home”, that is still what floods my mind all these years later.

While many of the places I grew up exploring inspire my work, these memories in the Salish Sea are my foundation as a writer.

I still write about place, telling stories about the terrains that raised us and the landscapes we’re losing in the face of ecological catastrophe, climate injustice, and the practice of othering. I weave nature, eco-feminism, interconnection, and culture together, often dipping into folklore and myth to tell the truth: the climate crisis is an identity crisis.

I am the author of “Warmly, The Wild,” a full-length eco-poetry collection that questions established ideas of wildness, explores North Americans’ sense of place, and unfolds as a love letter to nature, from nature. I’m also the 2026-2027 Writer in Residence at the Seattle Public Library in the Pacific Northwest’s UNESCO City of Literature, where I’m completing my first climate-fiction novel. I’m a Best of the Net nominee, and my essays, poems, flash fiction pieces, and artwork have been published in dozens of journals around the world, including About Place Journal x Black Earth Institute, Lunch Ticket, and Stonecrop Magazine. I’m also a published landscape painter, photographer, and nature artist.

Want to read my work?

Dig into the stories in Blinter Magazine, an eco-publication that I founded and run. We cover all things People + Planet through place-based stories that inspire readers to see the world and care about the state of it.

Find my poetry, essays, and fiction in these publications:

About Place Journal x Black Earth Institute

Lunch Ticket

Stonecrop Magazine

Brick Street Poetry x Reconnecting to Our Waterways (ROW)

Coffin Bell Journal (Best of the Net Award nominee)

Capsule Stories (available at Barnes and Noble)

For Women Who Roar

Coffee People Zine x Glitter Cat Barista Bootcamp x Pacific Foods

Salmon Creek Journal

Beyond Queer Words Magazine

On Concepts Edge

Great Lakes Review

Tipton Poetry Journal

Paddock Review

“Warmly, The Wild” is out now internationally

Warmly, The Wild, out now from Finishing Line Press, is a love letter to nature, from nature. Written over the course of many years spent outside across North America, the collection reflects on humankind’s ideas about wildness, sense of place, and relationship with the climate crisis. Centered on interconnection, the poems conjure up visions of parking lot trees harboring just as much “nature” as protected National Parks, hickory tree history along the Roanoke River, Salish Sea summers losing their distinctive cool air, mountaintop removal in Appalachia, Red Winged Blackbird calls, forests welcoming grief, pink skies above burning Canadian coastlines, magenta-stained fingers picking blackberries, ancient seas in Utahn canyons, bonfires as an ancestral ritual, and breathing pavement in New York City. The poetry delves into the terrains that raised us and the way that a sense of place defines who we end up becoming. Warmly, The Wild, at its core, is a meditation on the tether between humankind and nature, which, in the end, are the same.

It’s also filled with original art of the landscapes that inspired the book, painted by me. View a few of the included pieces below:

Interviews

The Anacortes American, 2025

Roanoke Review, 2023

Go Skagit, 2008 (when I was a kid, my artwork was selected to be featured on the town’s recycling trucks)

Credentials

2020-07-20 09.56.31 1 (1).jpg

I believe that in order to save the livable planet, humans have to fall in love with it; they need to have a relationship with it to care. My work bridges the gap between people and landscape. If you’d like to bring that into a room, I’m available for readings, festivals, workshops, and events.